Friday, 2 October 2009
I love 'going to the National Theatre' in Glasgow
I didn't have to go far, as it was on at the Glasgow Film Theatre. It's the 2nd live broadcast, following on from Phedre and was equally impressive and enjoyable. You still get the sense of live theatre, but somehow it's extra special as the cameras can get in close and the sound quality is superb.
Mind you, it was touch and go at the beginning tonight. It was okay when Alex Jennings was interviewing Nicholas Hytner (both contributors to We Could Possibly Comment - Ian Richardson Remembered) but when they did some backstage interviews, the sound suddenly developed a pronounced echo. And when the play started there were a couple of minor glitches and then it settled down.
After that, it was pure enjoyment - apart from just before the start of the second half, when Alex Jennings was interviewing the costume director live on stage. Two women behind me decided that they would talk louder than him. I gave them a minute and then turned round and told them that I'd like to hear what was being said. I got a grudging 'sorry', but it did the trick and they shut up.
Must book up for the next broadcast - Nation - in January
Wednesday, 23 September 2009
Launch No 2 for We Could Possibly Comment - Ian Richardson Remembered
As part of my talk, I did a reading from the book, in which I described spending time on the set of Murder Rooms: The Dark Beginnings of Sherlock Holmes , which was largely filmed in Glasgow. It was somewhat serendipitous, as I noticed the day before, when reading next weeks' Radio Times, that the drama is being shown on BBC4 this coming Saturday at 9.05pm.

Friday, 18 September 2009
Waterstone's Launch - Ian Richardson Remembered
Tuesday, 15 September 2009
Ian Richardson Remembered - the Launch Approacheth

Sunday, 30 August 2009
Slowly but surely


Friday, 21 August 2009
Released at Last

It would be nice to think that, 2 years and 4 months on, my task has been accomplished. Indeed, you might very well think that my work is now done. There is at last a first book available on Ian and my goal to do something tangible to honour his memory and give people a sense of how highly he was regarded both as an actor and as a person and what he meant to so many, has been achieved.
However, there is still a lot to be done to promote the book and make people aware that it is out there. I'll certainly try my best to succeed.
As Ian said to me in our first exchange of letters in January 1994, 'Onwards and Upwards!'
Monday, 10 August 2009
Cuddles makes a friend
Well, I had a little gathering of friends in my huge three-bedded room before dinner yesterday to herald the arrival of We Could Possibly Comment - Ian Richardson Remembered
and as well as having the pleasure of signing a copy for friend and author of 41 books, Margaret Thomson Davis,
Cuddles (below, left) made a friend -Buttons the Bear, who had been brought along by his 'Mum', writer and dramatist, Joyce Ward. Whilst the mostly female gathering was knocking back the wine, the two bears were having a great time together and even agreed to have their photo taken with me (anything for a bit of publicity).
Apparently, there are several bears in attendance at Swanwick this year and a Teddy Bear Picnic will hopefully be arranged later in the week.
Saturday, 8 August 2009
The Book has Landed

We Could Possibly Comment - Ian Richardson Remembered - should be in the shops by the 7th September.
Sunday, 2 August 2009
Almost There


In the next month and beyond, the next phase will begin - contacting newspapers and revisiting bookshops and there's already a booking with a charity organisation for a coffee morning launch in September.
It's rather fortuitous that the Yesterday Channel have been showing the House of Cards series on Saturdays.

Wouldn't it be nice if some of the other great series Ian was in Ian Richardson - IMDB could be shown again too.
Wednesday, 29 July 2009
Tempus is Fugiting like mad
One benefit of the dream, is that it has reminded me that I'll need to slow down when signing. I find it extremely difficult to write slowly which, admittedly, is quite handy for a journalist who only did shorthand for a year at university... a very long time ago. It's a distinct disadvantage, though, when writing greetings cards, letters and envelopes and I frequently mess them up. Methinks a few practice sessions are called for.
That's something else to add to a list that doesn't seem to have got smaller in recent weeks. It's now only about ten days until I head off to The Writers' Summer School at Swanwick, Derbyshire
I've still to finalise work on the Non-fiction course I've been asked to run - I've set myself a deadline of this Friday to have it nailed, apart from some Marketing information.
On the book front, I sent text and some JPegs to a local printer on Monday for flyers and that's still to be finalised. The latest delivery date for the books to the publisher in Leicester (nice to see that my book is highlighted on their bookshop page New and Notable is next Thursday, the 8th, but as that's probably too late to get my copies up to Glasgow in time for Swanwick, hopefully that can be brought forward a couple of days.
There are several other tasks that have to be completed before I disappear off to the peerless Peak District, which means I'll have to devote less time to Facebook (the main culprit behind my lack of blogging in the past couple of weeks) and be very focused.
The clock continues its relentless ticking down.
Wednesday, 15 July 2009
The Final Countdown

Thursday, 2 July 2009
Royal Mail - definitely no relation!
So, it looks like the Royal Mail has cost me a few days in what seems to be a tight schedule to have the book ready for when I want it. Perhaps I should change my name by Deed Poll so that no one confuses me with the shoddy service.
As for the amended proofs, there were very few things missed and I posted a maximum of ten sheets back early this afternoon - and I'd better get my fiver's worth for special delivery this time or I really will consider adopting a new surname.
Hopefully I should have sight of the cover proofs by Saturday and after I'm happy with them, be just about on the home strait.
Meanwhile, in what seems to be a very positive development, Matador today announced that it is employing a Sales Representative Company to sell its self-published books.
Let's hope this is another step in the right direction for self-publishing companies and authors like myself who decided to go for this option.
Thursday, 18 June 2009
A Very Suitable Resting Place
It was in Stratford-upon-Avon, in 1960, that he met his beloved wife Maroussia, a fellow member of the Company. In Stratford, fans used to wander past his house in the hope of glimpsing their idol.
His roles for the RSC included Oberon in A Midsummer Night's Dream, Antipholus of Epheseus in The Comedy of Errors, The Herald and Marat in Marat/Sade, Frank Ford in The Merry Wives of Windsor, Chorus in Henry V, Bertram in All's Well That Ends Well, Vendice in The Revenger's Tragedy, Cassius in Julius Caesar, Pericles, Angelo in Measure for Measure, Proteus in The Two Gentlemen of Verona, Prospero in The Tempest, Berowne in Love's Labour's Lost, Richard II and Bolingbroke (alternating with Richard Pasco), Iachimo in Cymbeline and both Buckingham and then the king in Richard III.
National Theatre director Nicholas Hytner begins his recollections of Ian in We Could Possibly Comment by saying, "My earliest memories as a serious theatre-goer are dominated by Ian Richardson’s incandescent performances for the RSC in the late 60’s and early 70’s."
John Sessions recalled, "He was my childhood hero and I’d grown up with all those wonderful performances at the RSC. "
Juliet Stevenson, remembers her first visit to see a professional performance of a Shakespearian play. It was in Stratford, with Ian playing Richard II. She said, "I walked into the theatre that evening one person and came out as another person. That was very largely due to Ian."
Many of his colleagues at the RSC have commented on the profound effect working with Ian had on them - how much they learnt from him, his absolute mastery of Shakespearian verse and technical brilliance and what a wonderful role model he was for fellow Company actors.
It is therefore so touching and appropriate, that Ian's final resting place is Stratford-upon-Avon.
Last November, Maroussia and younger son Miles, who has also acted with the RSC, placed Ian's ashes, with assistance from the construction workers, in the foundations of the Shakespeare Memorial Theatre, currently under reconstruction, Transformation Work, beneath what will be the front of the stalls.
I'm sure I won't be the only person keen to visit the new theatre when it opens next year, both to remember a dear friend, but also in the hope that there will be many glorious productions in the new theatre, worthy of the Company's great name and of a singular actor who gave so many wonderful performances at Stratford.
Tuesday, 9 June 2009
The Proof is in the Pudding
I suppose the emotions I felt when I was opening the envelope were a mixture of relief that they were reaching me soon enough, hopefully, for me to get them back to Troubador in time for copies to be ready for the Writers' Summer School in early August, and trepidation as to how I would feel upon reading it again. I'm sure there will be the odd thing I look at and think I could have written/edited better - or perhaps not said at all, and other things I wish I'd put in, but that will always be the case with something you create.
The photo proofs - there will be two black & white and one colour section - and the cover proof should be with me shortly.
I know I'll have mixed feelings when the finished product arrives and I see 'the book' for the first time. Of course, there should be a sense of elation when your first book is published and you get to hold it in your hand for the first time. In this case it will be more a sense of relief that what I set out to do - to honour Ian's memory by getting a book on him out there - has at last been achieved. And there will be sadness too - the reason it has been completed is because Ian is no longer with us.
However, I hope it will awaken in those who read it, many memories of a wonderful actor and very special human being. And for those who read it but never got to meet him or see his performances on stage, film or television, a sense of the man - and perhaps the urge to obtain many of his visual or audio works that are still available.
Friday, 15 May 2009
Where would we be without friends
I'm particularly indebted to Brian for today's blog, You Might Very Well Think... in which he has provided some marvellous publicity for the book We Could Possibly Comment .
Brian has been a tower of strength in providing me with editorial assistance and advice and has been an absolute rock, particularly over the past few months during which the book has really taken shape.
His choice of video clips for today's blog include one from House of Cards, which is described thus by one of the contributors to the book, Susannah Harkerwho superbly played Mattie Storin:-
'I was just astonished watching him in the studio in particular, when we did all his office stuff.
I recall watching a scene where Urquhart was taking a pee and he had to address the camera whilst obviously appearing to be having a pee and doing several other things and it was just amazing.'
Another clip Brian chose, is from the 1972 film Man of La Mancha , which starred Peter O'Toole, Sophia Loren, James Coco,Harry Andrews and Brian Blessed.
Brian Blessed who worked with Ian several times, and provided the most memorable of interviews I conducted, said of his performance in the film:
'I only had to look at Ian and he went into hysterics. I was always very naughty with him and it would have him in fits of laughter. Basically, he was a Peter Pan character and he had a wonderful sense of humour.
Ian played the priest wonderfully and with great sensitivity – and he had a lovely singing voice, which I think should have been used much more in musicals. His priest is so moving and it was a gem of a performance.'
Thursday, 23 April 2009
Steady As She Goes
Not entirely true as can be gleaned from the fact that I've just deleted half a dozen paragraphs of blogging I suddenly realised wasn't going anywhere.
I remember the first time I wrote to Ian Richardson, in December 1993, saying that his acting as Francis Urquhart and Andrew Davies' scriptwriting had inspired me to return to my first love, writing.
That's very true but, as Ian came to realise through getting to know me over the years, people have to want to read what you've written for you to be a successful writer and it can be an extremely difficult and frustrating career path in the same way that acting often is.
Of course that assumes that you want your writing to reach a wider audience. Many people write just for their own amusement or as a means of therapy or organising their thoughts. Letter-writing can be a wonderful means of expressing yourself and sharing your life with others. Some writers are content to share their work with fellow writers and perhaps enter competitions but have no desire to attempt to get anything published.
But, to earn your living as a writer, it's necessary to keep writing all the time and be aiming to produce something that a publisher or an editor wants.
So, although I hope my blogs will eventually reach a wider audience, I have to bear in mind the fact that 'paid' writing and all the other jobs associated with promoting it, has to take precedence.
Which brings me back to combining this Blog with a little more promotional work for We Could Possibly Comment (you'll notice I've now added my author details - another task to divert me from here).
Here's a little illustration and reminder of the explosive power of Ian's acting.